I love books that have as a central conflict the disjunction of law and justice. Unsurprisingly, you'll find that as a theme in many of my novels, along with the question "who gets to count as people?" and that's certainly true of my contributions to the Pride Storybundle. Of course, both Point of Hopes and Death By Silver are fantasies structured as mysteries, which automatically foregrounds the question — most mysteries use the tension between law and justice to raise the stakes of their plots.
Or, why I like queer Victorian fiction
There is a lot of queer SF/F set in what is at least nominally the Victorian/Edwardian period (three very different novels in the current LGBT Storybundle alone), and of course that raises the question of what makes this period so appealing. For me, at least, the period from the mid-19th century through the start of the First World War is attractive because it’s both familiar and deeply alien, and the ways in which it is different from the modern world offer some excellent opportunities for comment on our contemporary lives.